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The First Lowell (Rather 25th)

Posted on July 31st, 2011 in Arts/Literature,Lowell,Music,Religion,Southern by Harrumpher

There’s one last day at this year’s Lowell Folk Festival. As usual, we were there and recruited a pair of first-timers for this one.

Also, as usual, we heard a long-time favorite and found a new-to-us gem. This is really the best, biggest free music around. Channeling Mr. T again…I pity the fool who misses this.

Some highlights follow.

Pix Trix: All images are Creative Commons Attribution 3.0, use ‘em with credit. Click on a thumbnail for a larger view.

A new treasure was Greenville, MS’ Eden Brent. She’s powerful, raw, funny and romantic simultaneously. She does serious boogie-woogie. eden1
eden Brent’s mentor, Boogaloo Ames, nicknamed her Little Boogaloo. He’s dead, but boy does she carry on.
We’ve heard Shemekia Copeland from her first visit here. It’s fabulous that she still comes by even when she’s well established. She alone is worth a trip to the LFF whenever she appears. She gives loud, passionate and believable blues. copeland
clevelandfiddle I’m not huge on bluegrass, unless it’s great. Michael Cleveland & Flamekeeper is. These guys are highly skilled, blazing fast on most tunes, and present the best of the genre from way back. They seemed to have more fun than any other act.
Most years, the LFF includes at least one a cappella gospel master group. This year’s Birmingham Sunlights were high energy and alternated sweet and rocking. sunlights

Milking the Folk Festival

Posted on July 9th, 2011 in Arts/Literature,Lowell,Music,Travel by Harrumpher

Is this a Pluggers cartoon? We’ve been doing the Lowell Folk Festival for all of its 25 years, missing one when we were far away. We’ll do it again, at the least this year on Saturday, July 30th.

lffbluesThere are ways to maximize your thrills and rewards. Because so much happens in a time slot and because acts can stagger starts, you need to game the system a wee bit. It’s a type-A sport worth the trouble.

Note that this free (let’s stress that) music extravaganza:

  • Has six stages with simultaneous performances
  • No stage is more than 10 minutes stride away from another, giving you time to sample, shift if you aren’t delighted, and be sure to catch must-see shows
  • Will often offer two, three or more acts you’d like to catch at the same time
  • Has performers who give more than one show a day – different time and stage
  • Has a devil of a lot beyond the narrowest stereotype of folk music
  • Is certain to present a band or singer you don’t know and will be delighted to have heard

The performer list and the schedule for all three days are available. For me, this means:

  1. Reading the full list to identify shows I won’t miss
  2. Grabbing the spreadsheet version of the sked and sorting it by time and day for my project management thing
  3. Finding out if my essential performers are on stage more than once (time and/or day)
  4. Picking one or more types of music or acts I don’t know and want to chance
  5. Highlighting my choices
  6. Highlighting (different color) promiscuous options, like nearby shows that are in the same time slots, for possible flitting among them

My first go this year is on the fridge. Shemekia Copeland (pic) is great. We’ve heard her several times here and first caught her at the LFF. She’s always worth it. So, I started with the 5 PM show.

Otherwise, unless I feel whims or someone drops out, I intend to start with:

  • Birmingham Sunlights (a cappella gospel) at noon
  • Eden Bent (blues/boogie woogie) at 1
  • Michael Cleveland (bluegrass) at 2
  • Rhythm of Rajasthan (India) at 3
  • Bill Kirchen (honky tonk) at 3:30 (sneaking out to double up here)
  • Quebe Sisters (Western swing) at 4 (likely coming late if Kirchen is really good)
  • Copeland at 5

There’s more later as well as options to skip around among stages. Yet, that’s already a full day and maybe musically tiring, even for listening sponges. We could probably leave after those and feel quite happy.

This is a good time to play off Mr. T here. I pity the fool who does not catch at least one day of the LFF.

Music Highs in Lowell

Posted on July 25th, 2010 in Boston,Family,Lowell,Music by Harrumpher

Like the cold buffet under the eyes and hands of the great garde manger chef, the Lowell Folk Festival can get a variety of presentations. We went again, for perhaps the 20th time, to the nation’s largest free folk festival. Alternately, we trotted less than 30 miles from the very bottom of Boston to one of the great yet oddly obscure regional annual music events.

I don’t fear telling Bostonians of the glories of the festival. We Bostonians don’t even go to most of our own local free or unique local events. A grand cultural aspect of Boston is that we have great pride in our individual neighborhoods; the dumb aspect is that we rarely travel across town, God forbid, much less to places 25 or so miles away.

We’ve been trotting to Lowell for this for over 20 years of the 24 it’s been going and you likely haven’t and almost certainly won’t next July. Thank you very much. You can cram next to a half million others at the July Fourth Esplanade thingummy.

Lowell meanwhile has:

For the folk festival, it’s still easy to saunter over to one of the nine simultaneous stages and get a prime seeing and listening spot. I don’t expect Bostonians to ruin that any time soon.

Pic click tricks: Click on a thumbnail to see the whole frame and a larger view. Use your browser back button or key to return.

Choiniere Among the new-to-us folk we heard and saw today was Michèle Choinière, French-American singer/songwriter from northern Vermont. She can do an amazing dance while seated.
She sings of French lyric themes of love, loss and lust. choiniere1
bua The festival seems to stretch to include folk from far — Asia, Africa, eastern Europe, Latin America and on and on. Of course, there’s always Celtic/Irish. This year included Bua, a traditional Irish band, comprising American musicians. An amusing angle is that they performed their skillful music with the stereotypical stiff posture. At one point, a 11-year-old or so girl went to the lower stage and step danced to their jigs. While her legs flashed, her upper body was as still as the musicians’.
A crowd pleaser was Bruce Daigrepont and his Cajun band.  The audience jammed the dance floor for the whole hour of his animated set. Couples spun or hugged and left the floor with smiles and sweat. Little boys and girls sat on parents’ or grandparents’ hips or jumped in glee. You’d have thought Lowell had waited a year to dance to Cajun music. Daigrepont
icepatrol The festival is also family and kid friendly. There’s lots of activities and foods aimed at younger listeners. I suspect the pair nestled in the 90-degree day next to the ice-cube bags were helpers and not just hot.
A Southern delight and consummate showman was Swamp Dogg (a.k.a. Jerry Williams Jr.). He sang rock, accompanied by the traditional horns. He also filled the dance floor. swampdog2
swampdog1 He’s short and stocky, but that didn’t keep him from hopping down from the stage to dance.

Honestly, as much as I fear to write it, more of us from Beantown need to make the half hour or so trip (under an hour by train, including the T to North Station) to Lowell. Regardless of how it might crowd up the festival, I have to tell you it’s worth going.

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Euterpe Visits Lowell Again

Posted on July 27th, 2009 in Arts/Literature,Family,Lowell,Music by Harrumpher

We were in Lowell literally as the muse of music was figuratively, yet again. Saturday was into our second decade of annual visits to the Lowell Folk Festival.

Actually, the first one we went to was 23 years ago, when it was for that one time the American Folk Festival or something similar. Since it has been the LFF and remains the nation’s largest free folk festival.  While the city has a grand (and inexpensive) series of other concerts, plus the restaurants and parks and Spinners, the LFF weekend is artistic altruism for all at its best.

This blog and Marry in Massachusetts have snippets and pix from some previous versions. In hopes to inspire the ignorant or inert, I can cite a bit about the one just past.

My candor gene is overly developed. I won’t pretend this was the absolute best LFF we attended. A few acquainted us with extremely talented and moving musicians. This version was merely wonderful. We did have unforgettable  musical moments and did find performers whose music we feel compelled to buy. If you didn’t go, I bet you can’t report on any comparable joys over your weekend.

As frequently happens at this festival, I had a problem and a blessing. The biggest problem is that so many promising acts appear at the same time on six or so stages, that picking one for that hour is wrenching.  Some are easy — my wife will head toward bluegrass and I toward blue. For both of us, others are much more difficult in picking folk we know or styles we like that conflict.

The blessing is stumbling into a session that is brilliant and thrilling. That happened Saturday when I went to a song-style workshop. Honestly, I figured if it ended up too academic or slow, I was within a couple of hundred yards of the other stages and would hop.

It was a mixed, maybe motley, group with soul singer Trudy Lynn, one of the throat-singing Tuva guys from Alash, the gospel quintet Brotherhood Singers, and honky tonk fellow Sage Guyton. Each was to describe and demonstrate how they used voice styling. Did they ever.

They got my attention early on as they began to interact. Under the emcee’s urging, they harmonized on Amazing Grace, all except for the Tuvan. Immediately after, he showed that he had taken the unfamiliar and made it his, transposing the tones and rhythms to throat singing. As in the vid on YouTube from Leroy743, he carried on with it. Moreover, to end the workshop, all the singers jammed on Shake, Rattle and Roll.

A few other posts on the LFF will follow here.

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Lovin’ Lowell Time

Posted on June 25th, 2009 in Arts/Literature,Family,Food,Lowell,Music,Suburbs by Harrumpher

Even if you have never done the Spinners or the northernmost Beer Works, the last weekend of July, every July, screams for a visit to Lowell. It’s a pony I’ve been riding annually for over 20 years. The Lowell Folk Festival is a Massachusetts must.

Consider:

  • It’s free, the nation’s largest free music festival.
  • It’s diverse, blues, bluegrass, zydeco, world, jazz, gospel and a broad range of folk from various cultures.
  • It’s generous, two full days of music spread over a three-day weekend.
  • It’s convenient, easy to get to and park at for anyone in Eastern Massachusetts and not bad for the rest of the state and neighboring ones.
  • You can drive, bike if you’re close or ambitious enough, and take the train from North Station in Beantown.
  • It’s self-paced, with lots of good food and drink in and around the festival locations.

sistermarie.jpgThe problem we have had is schedule conflicts, when more than one act we want to see performs simultaneously. We can usually fudge that too, as most singles and groups do their thing more than once during the festival.

You’re not going to know some of the entertainers. That is a key advantage. We never return without a new favorite and generally with a CD to prove it.  Over the decades, we first heard some amazing artists here first.

At almost all the stages, you are on top of the performer. This is no Tweeter Center alpine climb to the squinting rows and inaudible bleachers.

People tell me about this time of year when I ask that they never go to Lowell. That’s dumb enough, with the music series that is pretty damned cheap (like Spinners seats), plus the restaurants.  It’s lazy and just plain stupid to miss the folk festival. It’s close, intense, pleasurable…and free.

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High on Lowell, Again

Posted on July 27th, 2008 in Arts/Literature,Family,Lowell,Music,Suburbs,Travel by Harrumpher

Damn it. I just can’t help myself. I’ve headed to the Lowell Folk Festival with my family for 20 years. They’ve been doing it two years longer.

My promo for this year was here. There’s more coming with the summer music series (up close concert seats for like $20). Lowell is fab and free, yes free. I berate chums from Boston, Cambridge and around here for not going. Not going is like not bothering to pick up the 100-dollar bills some guy throws out the window for you.

Among the folk doing folk, in the broadest sense, music this year were boogie woogie piano, gospel, fado, steel guitar, cajun, bluegrass, reggae and R&B. Everything short of chamber music is likely in the mix, with up to six stages around town at a time. Unless your idea of music is what the dentist plays, they have you covered.

Check out the playbill, replete with audio samples, here.

Pix tricks: Click a thumbnail for a little larger image.

I don’t have pix of everyone, but did a few snaps between foot stomping and clapping. Consider:

Telecaster guru Redd Volkaert. He’s twang guitar king and former chief string guy for Merle Haggard for about eight years. telecaster.jpg
steelqueen1.jpg He teamed up with with Cindy Cashdollar, the queen of steel.
They were great at jumping on each other’s tunes, while letting the other solo. steelqueen.jpg
spool.jpg We split up so each of us could catch favorites (bluegrass for one and fado for another, for example). Our youngest was sometimes less thrilled than we.
A nice touch this year was two well experienced musicians. Henry Gray and the Cats did boogie woogie blues. hgray.jpg
Over at the government plaza, where you can walk around with a beer, fans of a wide range of ages truly grokked Sister Marie Knight. rocking.jpg
sistermarie.jpg She’s famous in the gospel and early rock circuits. She’s 83, but has a rich and powerful contralto of a 20-year-old.

I confess Sister Marie was the hit of the festival this year for me. That’s often the case. An unknown becomes a favorite on the spot or as in this case, someone you figured was out of it is well in it. She moved people.

I’m not going to get too crazy about it. I’ve been bringing folk and urging many others to visit Lowell for this or that. You can search this blog or Marry in Massachusetts for Lowell references. Top of list though is the folk festival. If you don’t go at all or even if you miss a year, it’s a big loss.

Listen in Lowell (Free)

Posted on July 22nd, 2008 in Arts/Literature,Boston,Cambridge,Family,Lowell,Music by Harrumpher

guitarist.jpg

Regulars here or at Marry in Massachusetts know the deal. Get your lazy butts out of the Boston area and be in Lowell this weekend. This is the third weekend in July and for over two decades that means it’s the (fabulous, fun, free) Lowell Folk Festival.

In my not-so-subtle way, I continue to berate locals here for not trotting the half hour to Lowell for this. Yes, yes, I know that Lowell folk like many residents of smaller cities and towns, as well as those who live in suburbs, are provincial hicks about coming to Cambridge or Boston. We’re the same here. “Yeah, you’ve told me about it, but I’ve never been,” is typical from the insular slugs here.

If you’re real gritty, you can bike two plus  hours, but you can also take the train from North Station. Even if you insist on driving, you can park Lowell-y for about $5.

Let me be plain again. Do it!

By the bye, this is connected to the small-admission-price Lowell Summer Music Series. Those aren’t free but do have a wide range of well-known musicians and the occasional Shakespeare.

You like:

  • Blues
  • World
  • Cajun
  • Gospel
  • Bluegrass
  • Folk (U.S., African, European, whatever)
  • parade.jpgReggae
  • Quebecoise

It’s all there and many other varieties. It’s non-stop on multiple stages. There are workshops. Oh, and there are a couple musical parades.  It’s free.

Can’t make Friday evening? Come Saturday. Can’t do Saturday. Come Sunday. Check the sked and the description of the performers.

We have gone from the beginning and never come home without one or more new favorites — musicians we didn’t know or barely knew whom we continue to enjoy as a result.

copeland.jpg

The warning is that the conflicts in simultaneous performances in six venues within easy walking distance make for tough decisions. Picking where to be when and sadly doing triage to decide whom you have to skip this time are hard.

It’s tempting to say you get your money’s worth. Just be sure when the pleasant volunteers come around asking for donations to keep the festival going and free that you chip in a few or five or ten bucks. You’re getting a whole day of music. At virtually every stop, you are right by the stage.

This is too good to pass up. If it’s your first time, go. You can evangelize to your friends next year.

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Thumping South and Twanging North

Posted on June 5th, 2008 in Boston,Family,Lowell,Music by Harrumpher

It’s music time again around Boston. Think Great Woods Tweeter Center Comcast Center down in nondescript Mansfield and the peachy keen Lowell Folk Festival.

First, non-harrumphing news is that the TBAs in the huge Lowell festival performance list are now almost entirely announcedl. I’ve been touting this greatest free folk festival anywhere for years. There’s still room for maybe 50% more attendants, so I’ll do it again. Its’ free. It’s easy to get to. It has great known to you and you’ve never heard of musicians. It’s free. It’s two full days (7/25-27 this year)  and change of everything from straight folk to hard blues to world music. Did I mention it’s free?

We’ve been going almost every year for a couple of decades. We have literally never gone without returning with new loves — and the CDs — of a couple of finds. You don’t do that every day, month or even year.violin

Some coverage and commentary from last year are over at one of my political blogs. Plus, when you get up there, you learn about their other music series and get a sense of the restaurants and sites of the old mill city.

I have friends and even co-bloggers who say that Boston gets all the attention and money unfairly. A lot of fellow Bostonians think of Lowell as out-there, hard to get to sticks. I equally ridicule both sets of provincials. Chomp on these fruits and let the juice run down your chin!

To the no-longer-Great Woods, I had a better time at last night’s Eric Clapton concert than I expected. My own prejudice as an early boomer is that too many of me would be there. That was half true. I also figured his opening band would be some clod designed to rouse the crowd but not be good enough to offer him competition. I was dead wrong there.

It was moderately amusing tailgating in the amusingly labeled VIP parking lot (150 yards closer to the constipated exit). There were a lot of boomers playing Frisbee badly with their teen children, and blowing joints without their teens by the portalets. But a surprising number of early 20s and 30s couples were there too.

My adult son as well as my teens at home discovered my Clapton music, both in CD and on vinyl. They’re particularly fond of album covers bigger than dinner plates.

I remember Clapton from the Yardbirds and Cream days. He didn’t do that, didn’t play that last night.

The review in today’s Globe pretty well covered the Clapton end of the concert. He did not play to the memories of people my age and nearly his. He was as bluesy and rocky as a guitar great who loves love ballads can be. The two women with me, my wife and her Brownie Scout buddy, play guitar and really related to the big screens that showed his finger positions repeatedly. Their only complaint was one I shared. I suspect the camera guys were as stoned as the foursome in front of us. The bass player or the women vocalists would be churning for a long time before they’d wake up and pan over to them for a few seconds.

The big surprise was the opening group, Robert Randolph and the Family Band. If you haven’t heard him, click over to his website. You can see and hear over a dozen cuts and videos there, and catch a lot more on YouTube. Make sure you spend 14 minutes with his slamming vocals and hot steel guitar on What you come to do on the audio portion of his site.

Warm weather is hot music around here.

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Doyle’s Infested with Bloggers

Posted on May 15th, 2008 in blogging,Boston,Drinking,Jamaica Plain,Lowell,Universal Hub,West Roxbury by Harrumpher

Blogger neighborhoodsMore than a clown car load of bloggers showed last night. I pronounce our first (insert period here) Rossie/JP/West Roxbury blogger social meet a modest success.

The rush report on the event is over at Universal Hub. Adam over there and I blame each other for this event. I think it was his idea and he claims I made it happen.

As threatened, we met at Doyle’s and from the comments, enjoyed it enough to have more such blobs of bloggers. I suggest that you try that for your neighborhoods or town.

It was without agenda, other than putting faces with blogs/bloggers and talk about our widely diverse blogs. I think we had 17 attendants.

We depended on the curiosity of strangers (and friends) as online invitations. While UH lists seven West Roxbury blogs, none from his list showed. We don’t know whether wading all the way into JP would be too much of a culture shock, but we’ll try to entice or shame them into coming next time. Maybe we can hold it closer to their safety zone, a Centre Street pub or the Pleasant in Roslindale.

However, we ended up with quite a few from Roslindale and JP. We got our share of what passes for celebrities in our little bloggy world. That certainly includes videoblogger Steve Garfield and media critic/professor Dan Kennedy. Plus we got Globe correspondent and ubiquitous free-lance Justin Rice.

Unquestionably though, the best parts were meeting bloggers whose stuff we read and talking with those whose interests and posts are nothing like ours. To those of us who do political or personal blogging, or in my case both, there were fascinating excursions.

Boston Handmade, for one, is for a crafts collective; Jessica Burko showed her geek chops and brought a laptop to access her site

Drew Gilpin Faust Fan Club has real and surreal posts related to the Harvard prez; I have it on good authority that she doesn’t yet know it exists

Learning Strategies has reportage and musings on like its title reads; as proof we did not discriminate by ZIP, this is from Larry Davidson in Dot

Joseph Porcelli, the cops and coffee mugs guy, attended

My Dedham (Brian Keaney) represented the south-of-Boston contingent; actually he was that contingent and lives in the land of always bubbling politics

9Neighbors had Rick Burnes describing his concept of displaying the most active blogs

Involuntary Slacker Alyssa belied the blog’s name and already posted on the literal symposium

The Boomer Chronicles (a favorite) had Rhea standing up for it

Andy’s Blog blogger Andy (Miller) even appeared; he’s been in his cave to pass the Mass bar exam, which he recently did and surely will become a regular poster again

Roslindale Monogatari with Michael Kerpan on film; he and I share an interest in the Tollgate Cemetery and had corresponded

Disclaimer: I am favorably disposed to the Faust blog, which is the idea and output of my uxorial unit, Cindy Thames.

And so it went. We met, we drank, we ate, and mostly we talked. I’ll put a few pix below. Click thumbnails for a larger view of what real bloggers look like.

Andy and Justin Steve Garfield
Andy and Justin (Rossie and the Globe Our famous videoblogger (JP)
Dan and Michael Rick, Cindy and Jessica
Dan Kennedy and Michael Kerpan Rick, Cindy and Jessica
Jessica, Alyssa and Adam
Jessica, Alyssa and Adam  

As an aside, reporter Justin asked me about blogger gatherings and whether this would grow into a BlogLeft type of activist group. I’m sure not. This was pure social and pure pleasure.

BlogLeft is a flapping loose set of political bloggers, pinko variety. We had a big gathering two years ago when Tim Murray was still mayor of Worcester and about to run for lieutenant governor. He was a guest there. We had breakout sessions and got real serious.

Likewise, we co-sponsored the lieutenant governor debate in Lowell and recently had a long, highly political gathering, also in Lowell. This is a serious and action-oriented group…not so with the south by southwest Boston bloggers.

The next time you see us plug an open, in-town blogger gathering, know it not serious, just seriously social.

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Cruising Lowell Canals with Dennis Weaver

Posted on August 16th, 2007 in Family,History,Lowell,Travel by Harrumpher

Dennis Weaver as ChesterFlog me with a camera strap. My digital picture box has such a long battery life, I did not bother to charge it…and go caught in Lowell. I was just starting to take pictures on the canal tour when I got the dreaded red battery image. I can’t show you the guide, a National Parks ranger, Amy Glowacki, who surely must be a direct descendant of Dennis Weaver as Chester, nor Motorman Tucker, who drives the trolley to and from the boat launch. Unlike the sharp jawed and wiry Amy, he is rotund with a comically sprouting bushy beard.

I’ll embed a couple of canal shots, but the voyeurism level is low. I am a stupid American.

Nits and Grits: The Park Service has a few canal tours by trolley and boat daily. The 90-minute full version is $8 adults/$7 over 62/$6 for 6 through 16 and free for mites. These tours tend to fill, so you need to call (978-970-5000 between 8:30 a.m. and 5 p.m.) and reserve spots. You can park behind the visitors center for free. Details are on the NPS site.

This is a serious geek trip, with engineering and history filling eyes and ears the whole time.

Our guide Amy came complete with a bag of place mats. Actually they were large laminated photos and drawings of Lowell before and after canals, of the dam on the Merrimack River and images of folk working on the projects there.

After a lecture about the history of the river and canals, we took the period trolley a few hundred yards to the boats. The lecture had the typical subversive undercurrent that so many NPS ones there do — after all, this is where trade unions got perking in America. Amy noted that the thumb of land where Lowell is had a few hundred farmers before greedy industrialists saw the waterfalls and knew it mean power and thus money just trying to fall into their hands. They bought out the yokels for spare change and proceeded to plan a huge industrial complex, using water power for the mills-to-be.

James B. FrancisOur next subtle pretext was in our boat, the Sarah Bagley, the only one of the four named for a woman. The next boat was the James B. Francis (the jowly fellow here), who planned the canals for transportation and for water diversion. On the other hand, Bagley was a rabblerouser. She strongly advocated women’s rights, organized labor actions, and was largely responsible for getting the workday reduced to 10 hours.

The tour is a fine leisurely ride on a summer day, but it is also a clear way to visualize how the canals interplayed with the factories. Helping realize the avarice of the capitalists meant some innovative and insightful engineering, under Francis’ direction. Many thousands were abused and overworked in the mills that came with it. Then again, as in the mini-computer industry in Lowell and elsewhere in the last century, this fed and clothed a lot of people and made New England more influential. (Amy didn’t say any of that.)

Lowell canalsBefore the factory-makers arrived, the locals had worked for the Proprietors of Locks and Canals to change the Merrimack. It was impassable by the falls and there was no way to move goods or people on it. Manual labor dug a single narrow canal to skirt the falls and let lumber and farm output get downstream without using carts and wagons. This project took only from 1795 to 1796…with shovels, barrows and pickaxes!

Click on the thumbnail to see Francis’ version of the industrialists’ vision. A dam on the river diverts most water through town, starting in the Pawtucket Canal. A spread hand of canals in town dispersed the water to power multiple mills in many locations. The transportation canal remained to bring in raw materials and take away finished good.

In 1821, the rich guys had bought out what is now Lowell (then part of Middlesex Village). A catalyst for their turning to Lowell was President Thomas Jefferson’s 1807 embargo and the War of 1812. They were sitting on piles of cash that wasn’t earning anything.

We on the Bagley toured the navigable section of the 5.6-mile canal. We passed the backs of brick factories (which don’t look much different from their fronts, minus doors). The mills are largely abandoned, except those that have artists’ lofts.

Francis was damned good at what he did. His turbine that bears his name is still commonly used. As well as being chief engineer for the canals and locks, he was a founder and president of the American Society of Civil Engineers. His old group has a great booklet on the canals and power system here.

Down on the water, you see such fascinating aspects as the construction of the canal walls. The inner side was done by hand. Immigrant laborers moved and fitted large and huge pieces of granite. Like stone walls, they are without mortar and last because of the expertise and raw strength of the masons.

Lowell canal wallsThe other side looks perfectly serviceable, but the stones are much smaller, much more regular. These walls have heavy mortar, which will need maintenance.

The ride passes through one lock at (of course) the Francis Gatehouse. He designed the gates and the lock system for these, as well as the flood gate inside. We passed into a small lock to equalize the water depth between the Merrimack and Lowell sides — about four feet on our day.

While waiting for the lock system to do its seeping magic, you have to revel in what was called Francis’ Folly in 1850. That wacky blueprint guy figured that there was a high likelihood of occasional, unpredictable floods on the plains of Lowell, particularly with the river on one side and the canals in town.

He designed this monstrosity, like a huge wooden guillotine. In the image by Corey Sciuto, you can see part of Francis’ original and the 21st Century upgrade. He took the picture during last year’s flood.

Francis gatehouse

The original was a 25-foot tall curtain of huge wooden beams, rising into the gatehouse. Thick metal chain held it up to the roof. Someone had to climb up to and use a hammer and chisel to release the gate and hold back the diverted river.

The locals didn’t get much time to ridicule Francis. Two years later in 1852, a huge flood filled the Merrimack. The gate came down. Lowell was spared 10 feet of water.

Raising the gate afterward was a big deal, involving many teams of oxen and a lot of workers.

The gate stayed up and loaded until 1936, when another 10-foot flood threatened town. The gatehouse on the dam side of the river still has the highwater mark painted on it. Again, Francis’ plan saved Lowell.

Shortly before Lowell’s 2006 devastating flood, the gatehouse system was updated with a steel beam system, which is in place in the photo. It has the decided advantage of being put in place by using a crane to drop a stack of steel beams into slots in the canal walls. Amy did not say, but maybe they should go back to Francis’ system. Lowell was flooded this time and the water level was only 8-feet above flood level. What can we learn from this?

Leaving canal lock When we emerged from the equalized lock, we tooled up and out to the Merrimack. We went over to the dam, law the still impressive falls, and wondered at the archaic dam itself.

The Pawtucket dam uses some 300 metal bars stuck in granite slabs and topped with plywood. Yes, Home Depot denizens, plywood. An advantage of this is that water forces its way over the plywood, bending it. Of course, twice a year, they have to replace the wood. This anachronistic system involved reducing water flow with dams upstream and sending crews to gather the plywood and bars. A blacksmith shop on the river heats and repairs the bars and crews reassemble the dam.

Before Amy turned us back over to Motorman Tucker, we got our $8 worth. A drain-pipe level tour of the influence of water on the American Industrial Revolution is a better deal than any summer movie.

By the bye, this is a companion piece to the evening adventure in Lowell, a Spinners game.

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